|
Post by snickers on May 21, 2005 11:11:47 GMT -5
i was just reading over the fingernails/bacon thread....
and last night i sent someone an email where i said i thought a line had "to" not "through" in it....
why does one word matter so much to people, in his lyrics?
just wondering.
|
|
|
Post by Strange and Grandiose on May 21, 2005 12:02:02 GMT -5
In the case of fingernails vs. bacon, one is brilliant and the other inane.
|
|
Wolfdog
Beagle Scout
Long Live Cap
Posts: 1,794
|
Post by Wolfdog on May 21, 2005 13:09:51 GMT -5
It's a fine line between stupid and clever.
the kids sing, 'it's hiiiiiiiiiiiiigh TIDE!'
might have to get em a blondie cd.
|
|
angela
Beagle Scout
smoochies to you.
Posts: 1,110
|
Post by angela on May 21, 2005 13:49:57 GMT -5
On theskyway's lyrics page, they have this line wrong in World Class Fad:
Never leave a trail of crumbs
when it's actually:
Remember leave a trail of crumbs
Which is completely the opposite meaning. So in cases like that, one word can make a difference to me. But if it's an argument about, say, 'no' and 'nope' for example, then no, I would say that's maybe a bit too anal.
|
|
saywhatyouwill
Star Scout
take the interstate just north of here to avoid the rain and snow
Posts: 485
|
Post by saywhatyouwill on May 21, 2005 14:02:50 GMT -5
On theskyway's lyrics page, they have this line wrong in World Class Fad: Never leave a trail of crumbs when it's actually: Remember leave a trail of crumbs yeah, it's definitely "remember". one word can make all the difference and can affect yr whole perception of a song. there are songs i listened to so often when i was younger, then when i listen again now, i think, oh RIGHT! that's what that lyric is - and the whole song makes sense.
|
|
angela
Beagle Scout
smoochies to you.
Posts: 1,110
|
Post by angela on May 21, 2005 14:31:58 GMT -5
yeah, it's definitely "remember". one word can make all the difference and can affect yr whole perception of a song. there are songs i listened to so often when i was younger, then when i listen again now, i think, oh RIGHT! that's what that lyric is - and the whole song makes sense. Haha, I have a whole list of songs like that. Where one day you realize what is being said after umpteen number of years thinking it was something else and them BAM! you have an epiphany and the song makes sense. Those are great head-slapping moments!
|
|
|
Post by scoOter on May 21, 2005 15:25:03 GMT -5
Haha, I have a whole list of songs like that. Where one day you realize what is being said after umpteen number of years thinking it was something else and them BAM! you have an epiphany and the song makes sense. Those are great head-slapping moments! don't make me tell you the story about my neighbor who would ride his dirt bike around singing: "HERE I AM (NA-NAH, NA-NAH, NA-NAH) ROOOCK YOU LIKE A NERD AGAIN!!!"
|
|
|
Post by cellarfullofnoise on May 22, 2005 5:28:53 GMT -5
The Skyway (and thus every commercial lyrics site) has the line from "Dyslexic Heart" as: "Thanks for the book, now my table is ready" instead of "Thanks for the book, now my table is steady." "Ready" could barely make sense if you take it as weak sarcasm about coffeetable books, but even that's a stretch and it leaves you with a same-word rhyme in the next line. "Steady" is clever, with a clear connection to dyslexia and even the "got your books go read em" of "Knockin' on Mine." It's one of those lines I wonder whether he thought up or jotted it down for future use when he overheard it somewhere.
Also, I think I finally on the millionth listen heard the word "yet" as he's repeating "but you ain't got me" at the end of that song, a nice undercut if it's really there.
|
|
|
Post by snickers on May 22, 2005 12:01:00 GMT -5
The Skyway (and thus every commercial lyrics site) has the line from "Dyslexic Heart" as: "Thanks for the book, now my table is ready" instead of "Thanks for the book, now my table is steady." "Ready" could barely make sense if you take it as weak sarcasm about coffeetable books, but even that's a stretch and it leaves you with a same-word rhyme in the next line. "Steady" is clever, with a clear connection to dyslexia and even the "got your books go read em" of "Knockin' on Mine." It's one of those lines I wonder whether he thought up or jotted it down for future use when he overheard it somewhere. i am trying to get ready to go out of town and don't really have time to sit here and type this out. in a way, that ties in nicely with what i was thinking when i wrote out this thread. namely, i think his music often inspires total rabidity in the listener. i think that the "table is ready" thing is a nod to how long it took the person to slip him their number....or how long the note was? i'm not sure. i think bacon is almost as good as fingernails, and better than a million other lyrics out there. i had forgotten about this...but a while ago, like six seven years ago i came across the page that was entitled i think, "replacing" and it had little vignettes about the replacements that were almost like short stories. my favorite one i have up on my wall...(along with pictures of my daughter and etc). "Hey Good Lookin' The people in the next car over, a red convertible, asked them to keep it down, they couldn't hear the movie. "it was backed with 'i will dare' and it was a 12-inch", he shouted in a hoarse whisper. "seven inch. seven, seven, seven!" she screamed, dousing his stunned face with her large diet cola". apologies for not crediting the author....but i think this perfectly illustrates the fierce love that inspires the fingernails/bacon debate, or any (pw) other, for that matter.
|
|
|
Post by snickers on May 22, 2005 12:02:19 GMT -5
by the way, it is in fact a twelve inch....(i have it)
|
|
|
Post by kgp on May 22, 2005 12:15:54 GMT -5
I always heard 'steady' like using a book to balance out the short leg of the table, but then 'Dyslexic Heart' has never been one of my favorite Paul songs so I could be very wrong.
|
|
|
Post by cellarfullofnoise on May 24, 2005 12:15:26 GMT -5
I think I finally on the millionth listen heard the word "yet" as he's repeating "but you ain't got me" at the end of that song, a nice undercut if it's really there. Yep, it's there. I always just heard it as a hollered "Yeaahh," but you can hear the "T" sound at the end, so it's really: "You ain't got me ... YET!"
|
|
|
Post by landshark on May 24, 2005 12:51:11 GMT -5
Yep, it's there. I always just heard it as a hollered "Yeaahh," but you can hear the "T" sound at the end, so it's really: "You ain't got me ... YET!" It's there all right. A perfect PW finish.
|
|
|
Post by karenripington on Jun 21, 2005 17:16:37 GMT -5
Yeah, I do think one word really can make a difference -- especially depending on what (and/or where) the word is.
Today as I was puttering around town in the old vw listening to "Silent Film Star" I heard "Hurry up, my FACE or his" rather than the usual "Hurry up, my PLACE or his" that I'd heard the other zillion listens. Has anyone else ever heard this before or am I having auditory hallucinations again?
Not that this is the best example of one word really making a difference in a song but it did get me to thinking about how it can.
|
|
|
Post by Caroline on Jun 21, 2005 22:36:50 GMT -5
Self Defense
And only when you're chased Do you ever run fast
or is it
And only when you're chaste Do you ever run fast
I think it works either way but the meanings are so different.
|
|
|
Post by cellarfullofnoise on Jun 21, 2005 22:46:53 GMT -5
That's like the "hair/hare" line in C'mon
|
|
ADJ
Tenderfoot
Posts: 8
|
Post by ADJ on Jul 13, 2005 16:35:50 GMT -5
one word can alter the whole meaning of the song, change the way you feel about it. if you cherish it, then that word is important. i've been trying to pin down one single word sung once at a live show for years now - to me it matters. it's like if the bible was smudged. at least, that's how i feel. the thread below is about one (missing) word: paulwesterberg.proboards23.com/index.cgi?board=Lyrics&action=display&thread=1121290010
|
|
The Indoor Boy
Beagle Scout
"Such a morning must come to all the friends of Smirnoff."
Posts: 1,904
|
Post by The Indoor Boy on Aug 11, 2005 13:41:18 GMT -5
One word can make all the difference. In the Tom Waits song, Hold On, there's a lyric which goes "you don't meet nice girls in coffee shops". I only found this out quite recently, when glancing at the lyrics sheet. It was only then I realised that for nigh on three years I had been mistaken when I heard the line as, "you don't meet nice girls in coffin shops."
Personally I still think my version was better. ;D
|
|
Miss E.
Dances With Posts
Posts: 49
|
Post by Miss E. on Aug 14, 2005 1:31:15 GMT -5
for the longest time i thought the line in Silent Film Star was:
so impressed, watching you undress just like a paid program
instead of:
the foreign press is watching you undress...
i actually prefer mine. it's easier to relate to.
[guess this is more than one word, but it still works under the subject heading...]
|
|
The Indoor Boy
Beagle Scout
"Such a morning must come to all the friends of Smirnoff."
Posts: 1,904
|
Post by The Indoor Boy on Aug 14, 2005 9:12:22 GMT -5
I heard it as:
So impressive watching you undress Just like a painted fan.
Strange these tricks our ears play on us.
|
|