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Post by headlightbeams on Jan 16, 2006 22:21:46 GMT -5
"I'll Be You" doesn't seem to get much discussed much. How come? Wasn't it like their biggest hit? Possibly their most seen video? Is it just because it's because of the album it's on? Or is fondness for the song lukewarm because the song doesn't deserve any better?
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Post by GoddamnJob290 on Jan 16, 2006 23:51:24 GMT -5
Some fans of the Replacements/underground music in general tend to see "I'll Be You" as their "sell out". You know, that pandering to mainstream radio in order to acheive fame of R.E.M.-sized porportions.
Weirdly enough, I think this is the song on Don't Tell A Soul that is most in the vein of their earlier work. In fact, I would venture to say that it may be a bit too similar to "Left of the Dial" and "Alex Chilton"--all three songs have that (relatively) quiet section before the band comes back guns-a-blazing for the songs roaring finale.
It's certainly a good song. I like the melody/riff, the lyrics (proto-slacker anthem? I think so), and the whole thing could be/has been read as Paul's trepidation about his impending transference to solo artist status ("I could purge my soul perhaps/for the imminent collapse") and perhaps a plea for mutual understanding ("You be me for a while/And i'll be you").
Of course, I read somewhere that Paul said the whole thing was just an in-joke with Slim, but that could just be Paul selling himself short again. Who knows.
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cford
Star Scout
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Post by cford on Jan 17, 2006 10:49:40 GMT -5
"I'll Be You" doesn't seem to get much discussed much. How come? Wasn't it like their biggest hit? Possibly their most seen video? Is it just because it's because of the album it's on? Or is fondness for the song lukewarm because the song doesn't deserve any better? Since it was a hit of sorts, fans probably do not feel compelled to praise it more... I find it to be a solid tune that holds up well over time. CF
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Post by allshookup on Jan 17, 2006 13:11:45 GMT -5
from www.allmusic.comThe Replacements' sole "hit" single (it actually reached the middle of Billboard's Hot 100 in the spring of 1989, helped no doubt by the band's first non-sarcastic, non-confrontational video, which got a lot of MTV play), "I'll Be You" is unfortunately at best a second-tier Paul Westerberg song. Although the song has one terrific one-liner ("a rebel without a clue," a line that Tom Petty -- the headlining act on the Replacements' sole national tour on the arena level -- blatantly stole a few years later in "Into the Great Wide Open") and an intriguingly off-kilter structure that doesn't get around to the first chorus until the song is half over, it's much less lyrically incisive than earlier Westerberg masterpieces like "Sixteen Blue" and "Can't Hardly Wait," and the tune isn't one of Westerberg's most memorable, being built on a clanking rhythm guitar riff that lacks both forward motion and melodic invention. Sure, it sounded better than most of what was on MTV in the spring of 1989, but compared to newer, younger, and hungrier bands like, say, the Pixies (whose near-mainstream breakthrough with Doolittle happened around the same time as this single), it was starting to look like the Replacements had missed their moment.
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who?
Star Scout
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Post by who? on Jan 17, 2006 14:40:58 GMT -5
Huh.
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Post by TomT on Jan 17, 2006 16:09:36 GMT -5
I never really liked the song. Actually hate the piano.
I was thinking that it would be a good thing for them to re - release DTAS with a new rougher mix. Or do like Cheap Trick did with the In Color CD. (Steve Albini sessions)
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Post by thetwilitekid on Jan 17, 2006 16:59:42 GMT -5
I've never even noticed the paino before.
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Post by headlightbeams on Jan 17, 2006 18:21:31 GMT -5
That allmusic.com states the case pretty well. I like "I'll Be You" a lot but it does foreshadow "Dyslexic Heart."
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Post by thetwilitekid on Jan 17, 2006 19:55:08 GMT -5
I've never even noticed the paino before. Ah, so that's what that high pitch sound is near the beginning - a single piano key being hit 30 times, before another is hit a single time. Always thought it was guitar feedback or something. Overall there isn't much piano - and none after the first minute. And like I said never even noticed it before. Huh
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nazareth
Star Scout
All men are Liars.......
Posts: 537
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Post by nazareth on Jan 17, 2006 19:57:01 GMT -5
i like it fine. but i always like Achin' to Be better. In fact i actually like that album a lot.....I know a lot of folks don't, but there are some great songs. Talent Show, Asking Me Lies
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Post by KingArchie on Jan 18, 2006 6:14:17 GMT -5
i like it fine. but i always like Achin' to Be better. In fact i actually like that album a lot.....I know a lot of folks don't, but there are some great songs. Talent Show, Asking Me Lies I am in the same camp as you pal. I think Dont Tell A Soul is a hell of an album. I think I'll Be You, will always rank up there in my top 10 list as well.
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Post by FreeRider on Jan 18, 2006 11:13:59 GMT -5
I have to say that I liked DTAS too. Sure, it had an overproduced sound. Yes, there was too much gloss on it and I don't care for the chorus effect on the guitars. But I still liked the songs.
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Post by GoddamnJob290 on Jan 18, 2006 13:18:59 GMT -5
The DTAS songs I've heard on bootlegs all sound great, especially "Achin'", "I'll Be You", and "Darlin' One". But then, that's true of most Replacements songs. As good (or not good) as their studio recordings are, there's almost always a better live recording out there somewhere.
I don't mind the DTAS sound at all, but then again I was raised on glossy music, having grown up in the 90s and such. DTAS actually doesn't sound that bad (if not, like the other Sire releases, in need of a good loudening (for lack of a better fake word). It just has a different feel than the expected Replacements record.
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Post by bigbak on Jan 18, 2006 16:42:57 GMT -5
I like DTAS, though it's fifth in my Replacements rankings. I like "I'll Be You" but it's not a top ten, or even a top twenty 'mats tune.
Interestingly enough, "I'll Be You", and DTAS, are generally the only Replacements identifiers most of the people I know are familiar with - I have two fortyish friends who have no real interest in the Replacements as a band, but own DTAS and like "I'll Be You" - I know this because on the first few occassions I paid visits to their respective homes, I checked out their respective CD collections (A bad nosey habit, but one I can't seem to drop) and noticed DTAS in both, made mention of it to both friends, and both of them told me, as if it was rehearsed, that they bought the disc for "I'll Be You".
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grickle
First Class Scout
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Post by grickle on Jan 18, 2006 17:48:22 GMT -5
I have a place in my heart for 'I'll be You', as it was the first Replacements song I (knowingly) heard. When I came time for me to investigate more mats DTAS was my first purchase, because of that and "Achin to Be". I think it is overproduced, but I very very strongly like the album. The song writing to me is great. besides it popped my Replacements cherry. You always have a special place for your first glimmer of light.
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Post by headlightbeams on Jan 18, 2006 18:52:47 GMT -5
I was lazy and got this from McLyrics:
If ... it's a temporary lull why'm I bored right outta my skull? Man I'm dressin' sharp an' feelin' dull
Lonely, I guess that's where I'm from If I was from Canada then I'd best be called lonesome
And if it's just a game Then I'll break down just in case Oh yeah, we're runnin' in our last race
Well laughed half the way to Tokyo I dreamt I was Surfer Joe And what that means, I don't know
A dream too tired to come true Left (like?) a rebel without a clue And I'm searching for somethin' to do
And if it's just a game Then we'll hold hands just the same So what, we're bleeding but we ain't cut
And I could purge my soul perhaps Before the imminent collapse Oh yeah, I'll tell you what we could do You be me for a while I'll be you
A dream too tired to come true Left a rebel without a clue Won't you tell me what I should do?
And if it's just a lull why'm I bored right outta my skull? Oh yeah, keep me from feeling so dull
And if it's just a game Then we'll break down just in case Then again, I'll tell you what we could do You be me for a while You be me for a while and I'll be you
----
so subject matter-wise, is this indeed about the band, a la HeyDay, Treatment Bound, Talent Show etc.?
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Post by GoddamnJob290 on Jan 18, 2006 21:07:40 GMT -5
I was lazy and got this from McLyrics: If ... it's a temporary lull why'm I bored right outta my skull? Man I'm dressin' sharp an' feelin' dull Lonely, I guess that's where I'm from If I was from Canada then I'd best be called lonesome And if it's just a game Then I'll break down just in case Oh yeah, we're runnin' in our last race Well laughed half the way to Tokyo I dreamt I was Surfer Joe And what that means, I don't know A dream too tired to come true Left (like?) a rebel without a clue And I'm searching for somethin' to do And if it's just a game Then we'll hold hands just the same So what, we're bleeding but we ain't cut And I could purge my soul perhaps Before the imminent collapse Oh yeah, I'll tell you what we could do You be me for a while I'll be you A dream too tired to come true Left a rebel without a clue Won't you tell me what I should do? And if it's just a lull why'm I bored right outta my skull? Oh yeah, keep me from feeling so dull And if it's just a game Then we'll break down just in case Then again, I'll tell you what we could do You be me for a while You be me for a while and I'll be you ---- so subject matter-wise, is this indeed about the band, a la HeyDay, Treatment Bound, Talent Show etc.? Definitely, but there's also traditional love song elements ("if this is just a game/we'll hold hands just the same", which might not mean exactly what it says on the surface, and the allusions to loneliness"). In a way, it's pretty blatantly typical Replacements that they would make a song with such oblique lyrics the single.
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Post by scoOter on Jan 19, 2006 11:12:48 GMT -5
straight love the song.
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Post by A Regular on Jan 19, 2006 11:35:44 GMT -5
as compared to gay love for the song? Great vocals (Dreams, too tired to come true) but always thought the lyrics were sort of tossed off. "What that means, I don't know" could be applied to my understanding of the song.
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Post by allshookup on Jan 19, 2006 11:55:40 GMT -5
Great vocals (Dreams, too tired to come true)... Good point. I have always thought PW does a good job with the "tortured" vocal. So many singers take it an extra step or two (or in Michael Bolton's case, say, 500...) and end up in Histrionic City. This fuels my fantasy of PW doing an R&B-influenced record with a muscular rhythm section and horns. Imagine a whole album of "Can't Hardly Wait"-style songs.
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