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Post by thedroid on Feb 14, 2017 22:04:01 GMT -5
Color Me Impressed
E 0.7.9.9.x.x
Emaj7 0.6.9.9.x.x
Bsus4 7.x.9.9.x.x
C#m7 9.x.9.9.x.x
A x.0.7.9.x.x
Amaj7 x.0.6.9.x.x
Asus2 x.0.2.4.0.x
B 7.9.9.x.x.x
A(2) 0.7.7.9.x.x
G#/E 0.6.6.8.x.x
F#/E 0.4.4.6.x.x
E(2) 0.2.2.4.x.x
C# 9.11.11.x.x.x
G x.10.12.12.x.x
Fb5 x.x.10.10.12.13
A(2) 5.7.7.6.x.x
G# 4.6.6.5.x.x
Main riff
E — Emaj7 — Bsus4 — C#m7 A — Amaj7 — Asus2
[Can you stand . . .] B—E—B—E—B—E—B—E
[Me on my feet] Asus2 — E/G# — B/F# — E(2)
[Can you stand. . .] B—E—B—E—B—E—B—E
[Me on my . . .] A(2) — G#/E — F#/E - E(2)
[. . . feet] C#—G—C#—G—C#—G—Fb5
end of solo, play A(2)
End of song:
Asus2 — E/G# — B/F# G#—B—E
I used to play the Bsus4 and C#m7 like this
0.2.4.x.0.0
0.4.6.x.0.0
But in live footage, his hand clearly doesn't leave the 7th fret area until the Asus2. I will say that my old way still sounds more like the opening of the recording to my ear.
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Post by FreeRider on Feb 16, 2017 11:57:26 GMT -5
Nice work on all the tabs!
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Post by thedroid on Feb 16, 2017 17:15:15 GMT -5
Nice work on all the tabs! Thanks, man. Just revisiting all these songs I taught myself many years ago and figuring out what I had right and wrong.
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